Scales
The foundation of melody
A scale is a collection of musical notes, which are generally played sequentially and ordered by pitch. Scales are defined by their first note (the root) and its relationship to the following notes (intervals). In their most common form, scales contain seven notes spanning a single octave. These seven degrees are lettered A-G. Additionally, a mode is simply a rotation of any given
Diatonic Modes
Diatonic scales are by far the most common type in Western music. They are defined by a specific sequence of seven intervals containing five whole-steps and two half-steps. The most common form of the diatonic scale is the Major scale (AKA the Ionian mode), which follows the pattern W-W-W-H-W-W-H.
Name | Intervals | |||||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|
Ionian | P1 | M2 | M3 | P4 | P5 | M6 | M7 | |||||
Dorian | P1 | M2 | m3 | P4 | P5 | M6 | m7 | |||||
Phrygian | P1 | m2 | m3 | P4 | P5 | m6 | m7 | |||||
Lydian | P1 | M2 | M3 | A4 | P5 | M6 | M7 | |||||
Mixolydian | P1 | M2 | M3 | P4 | P5 | M6 | m7 | |||||
Aeolian | P1 | M2 | m3 | P4 | P5 | m6 | m7 | |||||
Locrian | P1 | m2 | m3 | P4 | d5 | m6 | m7 |
Harmonic Minor Modes
The Harmonic Minor scale is a slight variation of the Natural Minor scale (which itself is just a mode of the Diatonic scale). The only difference is that the seventh degree is raised a half-step, creating a Major 7th interval instead of a Minor 7th. This slight variation to the diatonic scale creates seven more unique modes.
Name | Intervals | |||||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|
Harmonic Minor | P1 | M2 | m3 | P4 | P5 | m6 | M7 | |||||
Locrian 6 | P1 | m2 | m3 | P4 | d5 | M6 | m7 | |||||
Ionian #5 | P1 | M2 | M3 | P4 | A5 | M6 | M7 | |||||
Dorian #4 | P1 | M2 | m3 | A4 | P5 | M6 | m7 | |||||
Phrygian Dominant | P1 | m2 | M3 | P4 | P5 | m6 | m7 | |||||
Lydian #2 | P1 | A2 | M3 | A4 | P5 | M6 | M7 | |||||
Super Locrian bb7 | P1 | m2 | m3 | d4 | d5 | m6 | d7 |
Melodic Minor Modes
The Melodic Minor scale is formed by making one additional change to the Harmonic Minor scale. We simply raise the sixth degree by a half-step, creating a Major 6th interval instead of a Major 7th. This variation also creates seven unique modes.
Name | Intervals | |||||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|
Melodic Minor | P1 | M2 | m3 | P4 | P5 | M6 | M7 | |||||
Dorian b2 | P1 | m2 | m3 | P4 | P5 | M6 | m7 | |||||
Lydian #5 | P1 | M2 | M3 | A4 | A5 | M6 | M7 | |||||
Lydian Dominant | P1 | M2 | M3 | A4 | P5 | M6 | m7 | |||||
Mixolydian b6 | P1 | M2 | M3 | P4 | P5 | m6 | m7 | |||||
Aeolian b5 | P1 | M2 | m3 | P4 | d5 | m6 | m7 | |||||
Super Locrian | P1 | m2 | m3 | d4 | d5 | m6 | m7 |
Pentatonic Modes
Pentatonic scales contain only five notes and are often a subset of diatonic scales. For example, the Major Pentatonic scale is the same as a Major Diatonic scale without the 4th and 7th degrees.
Name | Intervals | |||||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|
Major Pentatonic | P1 | M2 | M3 | P5 | M6 | |||||||
Egyptian | P1 | M2 | P4 | P5 | m7 | |||||||
Man Gong | P1 | m3 | P4 | m6 | m7 | |||||||
Ritusen | P1 | M2 | P4 | P5 | M6 | |||||||
Minor Pentatonic | P1 | m3 | P4 | P5 | m7 |
Blues Scales
Blues scales are pentatonic scales with an extra "blue" note.
Name | Intervals | |||||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|
Major Blues | P1 | M2 | m3 | M3 | P5 | M6 | ||||||
Minor Blues | P1 | m3 | P4 | d5 | P5 | m7 |
Bebob Scales
Bebop scales are diatonic scales with an extra chomatic passing note.
Name | Intervals | |||||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|
Dominant Bebob | P1 | M2 | M3 | P4 | P5 | M6 | m7 | M7 | ||||
Major Bebob | P1 | M2 | M3 | P4 | P5 | m6 | M6 | M7 |